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Northern painter Vagabond painter Tony Onley

Leonardo da Vinci, 1452-1519

Self Portrait, Red chalk by Leonardo da Vinci, 1512
Self portrait
red chalk
13 x 8 inches, 1512
The Last Supper, fresco by Leonardo da Vinci, 1498
The Last Supper, fresco, 1498
Mona Lisa, oil painting on panel by Leonardo da Vinci, 1503-1505
Mona Lisa
oil on panel
30 x 20 inches, 1503-1505

Minister of change
May 19, 2006

Dear Artist,

Last night my friend Bern Will Brown dropped by. Bern's 86 now, but Bern Will Brown in the Genn<br>studio checking out auction results of<br>his work in the Canadian Art Sales Index,<br>a publication that he had never heard of.
Bern Will Brown in the Genn
studio checking out auction results of
his work in the Canadian Art Sales Index,
a publication that he had never heard of.
he's still going strong. He's spent the last 44 years in Colville Lake (pop. 100), an isolated outpost that is way up in Canada's far north. Born in upstate New York, Bern spent his childhood looking across Lake Ontario and marvelling at the northern lights. "That's where I knew I had to go," he always tells me.


In 1948 he became an Oblate priest and was sent to a northern diocese. As a kid, he had painted in oils--so he took his paints with him. In 1971 he took up with Margaret, a part-native woman from Tuktoyaktuk, and this event precipitated his eventual defrocking. Along the way he and Margaret established the Colville Lake Lodge, a hunting and fishing resort that has entertained some of the crowned heads of Europe, politicians, movie stars, and just plain rich folks. He has a museum and art gallery on site, and this is where he sells his paintings. He hands his potential customers a key to the gallery and lets them look around in there. If they see something they like and bring it out to him, he wraps it up for them. Bern doesn't like talking about his work.

While isolation and the long winters make for cozy reflection and undisturbed painting, there's a price to pay for being out of the loop. Southern art dealers have trouble handling his work because he insists on getting his price. He resents dealer markups, and selling from home to northern travelers at direct prices has undermined his potential wider success. Further, he has made it even tougher for dealers by demanding that they supply him with the names and addresses of all purchasers. "So I can send them a Christmas card," he says. Last year he and Margaret sent 750. The Browns have no email, no computer. But he knows exactly how many paintings he's sold. "1342 to date," he says proudly. "And there's fifty in my gallery right now, ready to be sold. The prices are clearly marked." He's got a mind like a steel trap. Bern is his own best dealer.

Bern loves his adopted land--the people and animals of the tundra and taiga. His paintings honour both the traditions and the changes. Dogs and canoes have transmogrified into skidoos and jet boats. Up until a few weeks ago he flew his own float plane. There's nowhere up there that Bern has not been in order to get his stuff.

Best regards,

Robert

PS: "I had no idea that things would change so rapidly, so drastically." (Bern Will Brown)

Esoterica: Bern learned French and then the language of the Hare Indians. He mastered fishing and hunting, breeding huskies, building igloos and making snowshoes. As well as being the local priest, he served as carpenter, musician and medic--delivering babies, pulling teeth and flying medevacs. When he and Margaret married, they did so in "Our Lady of the Snows," the log church that he built with his own hands. "It's a great life," he says, "and Margaret and I are going to stay put above the Arctic Circle where we're happy. I figure I'm still good for painting until 95 or thereabouts."


Minister of change
Clickback contributors:
Life a work of art by Bob Cook
Fame not worth any price by Jana Botkin
Good people naturally wanted by Brad Greek
Change of Father Brown by Anonymous
Change vital to growth by Chantell Van Erbe
Painting the north country by Virginia Hemingson
People look in museums by Paol
Spell of the north by Chris Riley
Elements of style by Sonja Donnelly
Repetition is important by Sherry J. Purvis
Motivation to share experience  by John Stuart Pryce
Art thing gets weird sometimes by Beth Mahy
Infectious enthusiasm by Liz Reday
Public relations skills needed by Jean Schultz
Gift of twice weekly letters by Carol Westcott

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Madeline Blancho With Bernard, Oil painting on canvas by Bern Will Brown, 1982
Madeline Blancho and Bernard
oil painting on canvas
18 x 24 inches, 1982
Cutting in a Bowhead, Oil painting on masonite by Bern Will Brown, 1974
Cutting in a Bowhead
oil painting on masonite
32 x 24 inches, 1974
Fort Franklin, Oil painting on canvas by Bern Will Brown, 1982
Fort Franklin
oil painting on canvas
30 x 22 inches, 1982
Ahson, Oil painting on linen by Bern Will Brown, 1982
Ashon
oil painting on linen
18 x 24 inches, 1982

Will Bern Brown
Photographs of Will Bern Brown in Colville Lake, NWT

Artists' Responses to Minister of change by Robert Genn
Be sure to check our Archives for related material.


 

Response to 'Minister of change' by Bob Cook :: Life a work of art

by Bob Cook, Dripping Springs, TX, USA

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What a fantastic story. I was, however, disappointed with the paintings both in terms of the quality of seeing one and then noting that there was little variance between works. Perhaps this is the penalty he pays for his extreme isolation. Artists need to be nourished by seeing lots of new ideas or they slip into being craftsmen. But his life is still a work of art.


, Other letters by Bob, Related material on Life a work of art
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Response to 'Minister of change' by Jana Botkin :: Fame not worth any price

by Jana Botkin, Three Rivers, CA, USA

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This man's work is stunning and I look forward to seeing more. About his resentment of Spring Run-off by Jana Botkin, pencil drawing
Spring Run-off
pencil drawing
dealer markups: does he not realize that the dealer has no reason to sell a painting if he realizes no profit? Would Mr. Brown sell the work of other artists for no percentage or commission? Further, if he is paying a price for taking himself out of the loop, it certainly is a price he can afford. Fame is not worth any price, and he has a wonderful life without being overwhelmed by demand. He can paint what he wants and has a ready-made client base. He has a great life in a beautiful place that he loves with a woman he loves, and since he is earning a living, there is no reason to chase after bigger sales.


, Other letters by Jana, Related material on Fame not worth any price, Jana Botkin Website,
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Response to 'Minister of change' by Brad Greek :: Good people naturally wanted

by Brad Greek, Mary Esther, FL, USA

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Even though Mr. Brown's methods of distribution may have limited his potential success, it Path by Brad Greek, oil painting
Path
oil painting
may have also made his work more sought after. Being isolated from the general public, those that viewed and collected his work understand this unique collection's availability. It's not just the work of the artist that makes it sell, but the artist himself. When you become known as being good people, people want you around. Both in person or with your art. It appears Mr. Brown has that type of following.


, Other letters by Brad, Related material on Good people naturally wanted, Brad Greek Website,
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Response to 'Minister of change' by Anonymous :: Change of Father Brown

by Anonymous

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Your subject (Father Brown) sounds like a wonderful human being. The fact that he has evolved from the strictures and misguided principles of the Roman Church and managed to go to a normal life is a tribute to his clearer than average thinking. He is now 'natural.' That he has chosen to pursue an honest calling (art) is also commendable. The north has a remarkable effect on people—bringing out human values commensurate with the magnificent mystery of the place. I suspect that the "change" of which you and he speak also includes the changes that have taken place in Father Brown's world view. Good on ya.


, Other letters by Anonymous, Related material on Change of Father Brown
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Response to 'Minister of change' by Chantell Van Erbe :: Change vital to growth

by Chantell Van Erbe, NJ, USA

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This tiny fragment of Bern Will Brown's fascinating biography is heartwarming. Despite his Featherscape by Chantell Van Erbe, colored pencil on museum board<br>20 x 30 inches
Featherscape
colored pencil on museum board
20 x 30 inches
minor quirks and logical concerns with the art industry, he appears to be a bright, considerate individual. Living in bliss as well as finding sanctuary in his environment is commendable. Change is vital to emotional and intellectual growth. Making such a profound alteration in his life demonstrates that he is a master of his own destiny.


, Other letters by Chantell, Related material on Change vital to growth, Chantell Van Erbe Website,
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Response to 'Minister of change' by Virginia Hemingson :: Painting the north country

by Virginia Hemingson, Banff, AB, Canada

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Painting in the north country has it's own challenges. The light is strong and the water a deep navy blue, unlike the phthalo green lakes in the Canadian Rockies. Isolated and peaceful is how I remember the north. I understand how Bern feels about these special places. I am painting now one large canvas that is a collection of my memories of Arctic Lodges. Hudson Bay trading post, fishing, log cabins, boats, float planes, canoes, Cree Indians in their teepees, husky dogs, fishermen, blueberry picking and sitting on the dock playing my accordion are all the things going on in the painting… like a Grandma Moses landscape.


, Other letters by Virginia, Related material on Painting the north country
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Response to 'Minister of change' by Paol :: People look in museums

by Paol, Australia

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What an inspiration! I am a young painter, just turned 50 and sold more than hundred of Rendez-vous by Paol, oil painting
Rendez-vous
oil painting
originals. Very few sales change my life as the dollars keep flying through the door. I thought also to open a Museum like Bern Will Brown as I find that people will take more time to look at a painting or sculpture if it is in a Museum rather than a gallery. I am in the process to do so after a trip to Paris, France in the 12 of June for a month. I will be returning the 18 of July to Australia, where the light is so exceptional (like the south of Spain).


, Other letters by Paol, Related material on People look in museums, Paol Website,
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Response to 'Minister of change' by Chris Riley :: Spell of the north

by Chris Riley, Edmonton, AB, Canada

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It warms my heart to read stories that hit home. I too was raised in the NWT by a bush pilot and although most of my work doesn't reflect my heritage I do long to return and visit the places in the north that my sisters and I were sure we had discovered. As an adult now and animal lover I often find myself in conflict with the anti-fur / vegetarian campaigns and sympathize with the keepers of tradition. It's the way we were raised. His painting of Margaret with the dogs is very reminiscent of checking trap lines before skidoos were the norm. I could feel the bite of the cold and the warmth of the sun on her face all at the same time.

Even now my parents, who have retired and live nearly full time in the bush, have tea and bannock and dry meat often from their trapper friends. It seems a lifetime ago for me. But my memories of those times are filled with the hard work of pure survival (we did have to walk 5 miles when we missed the bus and the snow banks were 10 feet deep in places!). I miss the laughter and humor that keeps northern people more genuine and open than any I've met in my travels. Don't miss the mosquitoes or black flies but I can smell a baby willow in the spring when I close my eyes.


, Other letters by Chris, Related material on Spell of the north
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Response to 'Minister of change' by Sonja Donnelly :: Elements of style

by Sonja Donnelly, Lake Oswego, OR, USA

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Reading all the letters on repetition I was amazed that no one touched on the natural style Rose Hips by Sonja Donnelly, oil painting
Rose Hips
oil painting
that is you the artist. Art is like handwriting—everyone's is individual. We start out as a child learning to write our name. We experiment and try to follow others' leads and only with time and practice does our signature become uniquely ours. Some are similar but an expert can tell which is which by the flourishes that one uses instinctively. I think after years of painting, drawing, sculpting or whatever, your style becomes you, you are your style. Inseparable, one and the same, no matter what you choose to create.

A series is not necessarily a group of copycat works but a group of work that is cohesive and appears to belong together. As a well dressed person might assemble an outfit, one grouping (series) for formal wear, and a different one for casual. But in the end they both are a reflection of your style.


, Other letters by Sonja, Related material on Elements of style, Sonja Donnelly Website,
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Response to 'Minister of change' by Sherry J. Purvis :: Repetition is important

by Sherry J. Purvis, Kennesaw, GA, USA

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I've just finished reading the letters on repetition and for the most part I think they missed the point. Repetition is an extremely useful tool in the creative process. I have found that when I do a series of work, and grant you, I am not doing this work to sell or not, that each painting in the series moves a little further into my thought processes. No two are the same and sometimes I have to be careful to keep continuity alive and well. Yes, I have seen some artists who paint the same every time and whether they are doing a series of work, or just painting, it can get a little boring, not to see changes in their work. By repeating and repeating, even a subject as simple as apples, if your mind is open to change and exploration, your painting style will shift and become something a little more vivid and certainly more exciting. It is truly art when you repeat and let the changes flow that naturally happen. For me it is not about selling to the public as much as growing and allowing things to shift and become something that looks like me, but slightly different. The development of style is important, but that doesn't mean you cannot change within it. So, yes, repeating is important.


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Response to 'Minister of change' by John Stuart Pryce :: Motivation to share experience

by John Stuart Pryce, Sunderland, ON, Canada

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I too have wondered for years what it is that motivates us to paint. I am sure that we all American Falls by John Stuart Pryce, oil painting on panel<br>12 x 16 inches
American Falls
oil painting on panel
12 x 16 inches
have our reasons, but I cannot let go of the idea that we all need to "share" that experience or scene that touches us emotionally. The form that we are best able to communicate that experience is visually, in the form of a painting. We can share a joke or even a bit of gossip in a few words, but try and convey verbally how you feel when viewing that shaft of warm evening light hitting the tops of the trees and the cools of the shadows in the foreground. Poets and musicians have their own special way of sharing and I feel privileged to be able to share my experiences with others in the form that I enjoy most.


, Other letters by John, Related material on Motivation to share experience , John Stuart Pryce Website,
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Response to 'Minister of change' by Beth Mahy :: Art thing gets weird sometimes

by Beth Mahy, Dallas, TX, USA

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The story of Bern Will Brown is one of the most beautiful things I've seen. Your letter and its message is going to help me through today. Sometimes the art thing gets just too weird for me. This is one of those days. Then there comes a voice like yours which leaves me to think, well, maybe I can take that shower after all and get back in the studio and even go through with the show tomorrow.


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Response to 'Minister of change' by Liz Reday :: Infectious enthusiasm

by Liz Reday, South Pasadena, CA, USA

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I like the idea of just creating a thing and putting it out there. Not for a specific show, Best Western View by Liz Reday, oil painting on canvas<br>12 x 16 inches
Best Western View
oil painting on canvas
12 x 16 inches
or to sell to a particular group, more like an exploration. If I can start to create art in that spirit, I feel I really have something. If I'm really excited about something I just want to paint it for itself, not to sell particularly, or win in a show. That can happen, and when it does, that's great, but it's not the point. It's that pure "art for arts sake" excitement that I love. Money can't buy that feeling, but you won't have any trouble selling a painting done with that feeling.

Younger artists have that kind of infectious enthusiasm when they talk about their art and I think collectors pick up on that and want to buy their art. I was at a group show a few months ago with three very successful "famous" older (male) artists and two younger (male) artists. One of the young artists was so excited about painting and being in this show with the famous guys, I just had to like him (was prepared not to!). When I talked to the older artists they seemed so laid back and acted like it wasn't such a big deal. The young one was so enthusiastic that you just got this "anything is possible" feeling from him. Needless to say, this young man outsold the rest of the artists - heck, I almost felt like buying a painting from him myself! I went home thinking that I want what this guy has. Not that his work was excellent, which it was, but so were all the paintings in this gallery. It was his attitude towards his art and towards all the people he talked to. And I walked in that gallery with a bad attitude because it was an all-male show and yadda yadda yadda. I learned a big lesson.


, Other letters by Liz, Liz Reday Website,
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Response to 'Minister of change' by Jean Schultz :: Public relations skills needed

by Jean Schultz, Okemos, MI, USA

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Today I went to our town's annual juried art fair. Artists from all over the country participate. Since I have recently started painting (oils), I seem naturally drawn to artists that paint with oils. The first artist I visited was very gifted and his choices of colors appealed to me. He was a very kind man and very encouraging in terms of my painting. We talked for quite awhile and, if I didn't have a son in college, I would have been inclined to purchase one of his works. The second artist's work was completely different in style but equally appealing to me. Again, if the finances were available, I would have considered his work except that he was not interested in engaging in any type of conversation with me. When I told him how much I enjoyed his work, his only comment to me was, "Why don't you take your sunglasses off so you can really see it." I guess my comment to artists is that even if you have all the talent in the world, if you're doing the art fair circuit, it would seem that you need to have some public relations skills. You have no idea who has money to spend and who doesn't and it would be wise to treat everyone as though they were potential buyers.


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Response to 'Minister of change' by Carol Westcott :: Gift of twice weekly letters

by Carol Westcott, Toronto, ON, Canada

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An artist friend sent my name to you this spring and I have been receiving your twice weekly Old York Lane by Carol Westcott, watercolor painting
Old York Lane
watercolor painting
letter since the end of March. Of course, I didn't know what to expect when I first learned of the letter. But what a joy! I have come to appreciate the insights and enjoy, think about, smile (even shed a tear) upon reading the inspirational letters you send. I feel as if, each time I receive a letter, I am about to open a little present. This is such a wonderful gift I've been given!


, Other letters by Carol, Related material on Gift of twice weekly letters, Carol Westcott Website,
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World of Art Featured artist Katherine Kean, Los Angeles, CA, USA
SELECTIONS FROM THE PAINTER'S KEYS ART DIRECTORY PAGES CLICK HERE FOR A FREE ART LISTING

Featured Artist Katherine Kean, Los Angeles, CA, USA
'Autumn's Veil by Katherine Kean, Los Angeles, CA, USA
Autumn's Veil
Oil painting on linen by artist  Katherine Kean, Los Angeles, CA, USA
Contact Katherine Kean ::: More artwork by Katherine Kean


You may be interested to know that artists from every state in the USA, every province in Canada, and at least 105 countries worldwide have visited these pages since January 1, 2006.


That includes Rose Dix of South Africa who wrote: "There are not enough people like Bern Will Brown."

And also Ian Henley of Bowen Island, BC, Canada who wrote: "Bern is a man of many talents--a curmudgeon who does it all his own way."

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Last modified: May 22, 2006 :: Copyright 2006 Robert Genn, All Rights Reserved