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Hidden potential

I've been reading a wonderful book called Cezanne's Composition by Erle Loran. In it, Mr. Loran has
Mont Sainte-Victoire
by Paul Cezanne (1882-85) taken photos of the sites of many of Cezanne's landscapes. If you look at the photographs, you might wonder why anyone would want to paint the scene - and then you see what Cezanne did with it. It is truly inspiring.

Plein air anywhere

While attending my uncle's funeral two Sundays ago, it became very hot. At the site where the attendees were waiting for the coffin to go down in the grave, they were all standing under a canopy. I stood back and sketched the people with their backs facing me. The hot weather made me sketch as fast as possible. The skeleton of the sketch was later refined when I was in a leisurely pace.

More respect for artists

Some people still cling to the myth that artists are born, not made. However, it isn't so. Just like
Untitled Drawing Olympic athletes, we artists work very hard to develop our natural abilities to their fullest potential. I believe that once people grasp how hard we artists work to develop our talents, they will respect us more, which will make them more willing to pay us better prices for our work.

Sketching on frequent flights

Truly, drawing for me is a high joy. For more than 10 years I have been drawing hands, my husband's hands, as we make frequent round trip flights between New York and San Francisco. My husband is usually reading or sleeping and therefore makes a perfect hand model. Several books have been filled with his drawn hands. I never tire as the time goes by quickly with my intense concentration. The first sketch invariably is terrible. Knowing this happens, I turn that page in my little book and do more sketches. The completed drawings always surprise me because the initial lines look nothing like the finished sketch.

Drawing underappreciated

While I couldn't sketch a recognizable pig to save my soul, drawing is nonetheless the base of
The Studio
Pen & Ink everything I do - from painting to writing. Some unconscious function of the process "maps" work and words to come, sorts out the rough bits, and holds the place for future work until it rises to the surface. While I am beginning to see a bit of a shift, painting with a brush still has more value in the marketplace than drawing with ink or marker or pencil. 'Tis a shame... there is some remarkable drawing going on out there.

Early drawings signify past experience

I can remember, fleetingly, how precious my early drawings were to me, especially after some months
Red Still Life had passed. They were not susceptible to criticism but signified an experience, a subject, an attitude (my own) and an otherwise irretrievable occasion/circumstance. The drawers in other centuries recorded "time-space" before the concept was popularized by physicists. That truth is still truth, however the noise of modernity presumes to replace the capacity of people to translate sight to paper for another's eyes. Hundreds of my earlier drawings are gone with the wind - but sometimes an old friend sends me a copy via email, and I am moved. That time-space incident pops into the present bearing sentiment from 'before' the way only drawing and music can do!

Drawing revelations

Drawing is a universal language and a tool for the imagination to materialize. No matter what, where,
Blues player
pencil or when… I draw. While embarking on a mathematical education, I decided to conduct a presentation to demonstrate "Seeing" by drawing. Each student had a piece of paper and pencil placed before them. In a classroom of mostly males, shock, mumbling, protesting, "…she kidding?" came over the room when I stated that I could teach them to draw in a few minutes. I chuckled to myself witnessing the same shock I would have expected if I asked them to remove all their clothes before me! Drawing is revealing…

Animal-friendly art-making

I'm in my first year at art school, and being kept busy exploring mediums and reading widely. Currently, I'm reading J. D. Hilberry's book Drawing Realistic Textures in Pencil and am enjoying it greatly. Unfortunately one of his tools for great blending is, as I have read elsewhere too, the chamois. As a committed animal lover the real thing is out of the question and the synthetic one I've bought is behaving more like a sculpture when allowed to dry.

The drawing frame of mind

I confess I've not moved much beyond drawing my entire artistic life, despite the galleries who have
Wrapped self told me painting sells better and is considered more serious work. Sometimes I'd like to nail it down, if only for those who keep asking. Is it a drawing if it's a quick study for a larger piece? Nope. I've done drawings in silverpoint that take days and are ends in themselves. Is it a drawing if one uses dry media on paper? Nope. Pastel and colored pencil are often far more painterly approaches. Is it a drawing if the subject is expressed in line? You can do that with a brush on canvas too. I suppose I've concluded over the years that drawing is a frame of mind, a loving embrace, if you will.

The traveling state of mind

With the last letter suggesting the use of the digital camera for timed shots and today's letter including
Variations on S
machine embroidery, quilted drawing, as another warm up, idea gathering, way of seeing the unexpected, I am packing for a trip west. Included in a carryon are both a digital camera (with extra batteries and memory cards), two sizes of sketchbooks, pens and pencils, and hope. I will return home having accumulated many large and small scenes, ideas, and plans to keep the travel effects fresh in my mind and studio. Keeping that state of mind, fresh, has always been a challenge. Hopefully these suggestions will keep the travel ambiance in the forefront of my working life for a while longer.

Individuality revealed through drawing

As a mid-career artist I found my favorite class to teach was drawing, where I saw the most progress
Leap for Joy
pen & ink and happiness among my students. Drawing is also essential to my own artwork. I draw regularly and have countless sketchbooks which reflect my "modern" Bauhaus-based education and style. It was a shock to me when a young man showed me his photo-based Photoshop piece and called it his "painting." Though I have done extensive photography as part of my various jobs, for myself there is nothing more riveting than drawing and painting. Through them we face our individual character and the individual character of the viewer.

Jon Gnagy

I ascribe my career as an artist to the late Jon Gnagy, the American artist who presented a TV show –
Ouray Amphitheater View
(plein air)
oil on panel suitably in black-and-white – called "Learn to Draw" back in the '50s and early '60s. When I was very young, my parents bought me the "Learn to Draw" kit so I could follow along. Using charcoal, I started off drawing cubes, spheres and cones, and graduated to the landscape. Today, my drawing is done with a brush or pastel stick, but I still think of Gnagy and his simple shapes.

Intensified view through drawing

Drawing intensifies observation and understanding of the subject. My historian friend John Atkin and
Cannery sketch I run a series for schools (and adults) entitled "How To Look At Neighborhoods," a combined art and history workshop. By taking students into historic areas and getting them to draw, it is fascinating how much more they see and appreciate the details and significance of the historic fabric of their hometown. It is through experiences like this that I can grow to hate a camera: its quick snap sight-bites cannot compare with two or three drawings which can take from ten seconds to several minutes to produce but are then indelibly recorded in memory; not so with one hundred photos.

Positive side-effects from drawing

I have always maintained the belief that drawing is a communication skill that is just as important for
Cosmic garden
acrylic everyone to learn and use as reading and writing. Any educational system that does not include drawing along with reading, writing and arithmetic isn't educating their students fully. I completely agree with Betty Edwards, author of Drawing on the Right Side of the Brain, who claims that if you can write your name, you can draw. Drawing not only develops hand-eye coordination, it teaches one to really observe, to see, as nothing else ever will. Not to mention the sense of peaceful engagement one gets while in the act of making those marks.

21st century art-making

Six years ago, I began a love affair with digital imaging and photography. Much of my work today
Homage to Lascaux
acrylic involves a combination of digital photography, scanned elements, and elements painted directly on the computer with a pressure sensitive pen. At least half of all the images that I produce in a given series are still painted on an easel. However, the compositions are generally worked out on the computer, and then projected onto the canvas for the basic layout. Though I have no objection to this, as you know even many old masters projected their images on to their working surface. I have begun to misdirect drawing so I've gone back to doing some very basic drawing exercises. The twist is that I'm now doing this on the computer with my Wacom tablet, rather than in traditional mode. Who knows, I may be inspired to go back to drawing in traditional fashion as well.

Meditative drawing

Drawing, my first love, has accompanied me everywhere throughout life. I cannot remember a time in
Invertevac
coloured pencil my life when I wasn't sketching something or somebody. Back in my early twenties while endeavoring to find a creative place in the world, I began dabbling in several mediums. That is until my uncle Christopher gave me an invaluable birthday gift. A book entitled Zen Seeing, Zen Drawing (Meditation In Action) by Frederick Franck. This psychologically spiritual hybrid focuses on the sole act of drawing. The author shares his charming viewpoints and urges the reader to get out and experiment. Two years after reading it, I was exposed to colored pencil as a mainstay, thus completing the circle. I shall forever sing the praises of drawing. The process of depiction is inherent. It is the frame on which most artistic values are built.

Painter's bag of tools

My first art studies were with Leon Eugene Wright in the middle 1940s. Within the limits of a high
Art's bag
pencil school setting 'Sir' imparted a classic art education to all his students. And, of course, everything was based upon drawing. Once a week we invited a student from study hall to model for us and when the weather permitted we took our pads outside. Even on field trips to museums we were expected to carry our sketch books along. What a wonderful experience.

Fast forward to the present and my most recent teacher Albin Beyer insists that we carry our cameras everywhere. At first I had trouble adjusting to this new dictum. Every time I clicked I could hear 'Sir' saying, "Draw, draw and then draw some more!" Now, however, I have come to realize that both activities have a very important place in every painter's bag of tools.

Technology a two-edged sword

Because "line" is the backbone of art, drawing by default is the skeleton. Drawing is still "a civilized