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Geopolitical art
April 7, 2006

Dear Artist,

Yesterday, Ryan Wollard of Plantation, Florida wrote: "Does
Riots in the Clichy-sous-Bois, Nov. '05acrylic painting on canvas<br>By Ryan Wollard
Riots in the Clichy-sous-Bois, Nov. '05
acrylic painting on canvas
By Ryan Wollard
 click image to enlarge
politically themed art sell? I specialize in a type of impressionism and nothing gives me more joy than painting blue skies and sandy beaches. But lately my inspiration has come from the world of geopolitics. I've painted the riots in France, and several pieces about politicians here in the U.S.A. I find that these paintings exercise my angst and help me to blow off steam. But do people want to hang violence in their dining room?"

Thanks, Ryan. The answer is generally no--and not in the living room either. Geopolitical art in someone's home is like giving bird flu to Colonel Sanders. There are three main spots where geopolitical art works best: Public galleries, the Internet, and print media.

Some public galleries are looking for "shock and awe." They too, would like to make a statement. These days there are also strong currents of interest in social responsibility, the environment, anti-war sentiments, and universal love. You have to be careful and think out what you want to say and how you're going to paint it. Just showing G. W. Bush chucking his cookies on Osama bin Laden won't always cut it. Think of subtle work that is for the greater good. Be sophisticated. Currently, the public is both curious and frustrated. They like to think someone is doing something about what they helplessly feel is "the situation." Consider showing your geopolitical stuff to public gallery curators.

The Internet has made possible a brilliant and empowering channel for art. The ultimate in viral democratization, the Internet is the New World Gallery. A drawing, photo, video, or a clever painting, released to go its way like a chain letter, can get copied into the four corners of cyberspace. It's also possible to get some greens this way. If a million people open it up, you can pay yourself decently with a tiny Google ad.

Then there's the editorial cartoon--the lampoon, the political gag. Traditionally through print media, for the truly talented there's potential syndication. My advice is to start locally and get good. And get fast. All the gag writers I know are speedy. Never underestimate the privilege and nobility of political art. "The government," said Bill Maher, "is being satirized for your protection."

Best regards,

Robert

PS: "I don't think artists can avoid being political. Artists are the proverbial canaries in the coalmine. When we stop singing, it's a sure sign of repressive times ahead." (Theresa Bayer) "If everyone would paint, political re-education would be unnecessary." (Pablo Picasso)

Esoterica: The public perception of fine art is mixed with expectations of esthetics and traditional modes of beauty. Some artists see this as unfortunate. Art can be anything it wants to be. But art needs to be hung out in a somewhat receptive context. Not understanding this principle has kept a lot of artists not only angry, but hungry. Ideally, all of us should be free to paint, draw, hang and publish to our heart's content. But we do not live in an ideal world.


Geopolitical art
Clickback contributors:
No need for political rage by Tom Disch
Value in timelessness by Richard Nelson
Positive energy in art by Mark Davis
Visual metaphor in art by Gabriella Morrison
The art must be first by Norman Ridenour
Ignorance in humanities by Alex Nodopaka
Geopolitical work adds depth by Jeffrey Hessing
Marketing of fear by Brian L. Jones
Someone has to paint it by Luz Maria Perez
Message hinders personal vision by Nina Meledandri
Politics can offer hope by Helen Webber
Focus on the future  by Dalah Faytrouni
Political paintings controversy by Leslie Hoops-Wallace
Hidden political messages by Dusanka Badovinac
Work evolves in privat by Sheila Grabarsky
Happier doing political art by Rose Moon
Can't escape the obvious by Brad Michael Moore

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Artists' Responses to Geopolitical art by Robert Genn
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Google Ads
(Andrew Niculescu note) Thanks to everyone who wrote to ask questions about the "Google Ads" that Robert mentioned in his letter. "Google AdSense is a fast and easy way for website publishers of all sizes to display relevant Google ads on their website's content pages and earn money." (https://google.com/adsense/) More information about the AdSense service is at: AdSense Help Center

As you will discover, inserting an ad on the pages of your website will be the easy part. The not so easy part is making the ads work well with your content. Google ads are "smart" enough to analyze the content around them and display ads most relevant to that content. There are websites that have become as lucrative as full-time jobs for their owners through the revenue earned from Google Ads. If you would like to learn more about monetizing your website with Google ads, please drop me a note: andrew@saraphina.com

 

Response to 'Geopolitical art' by Tom Disch :: No need for political rage

by Tom Disch, Barryville, NY, USA

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A visit to any big museum (or, as you point out, the Internet) offers a host of mostly
Homecoming Marineoil painting on canvas, 1945<br>By Norman Rockwell (1894-1978)
Homecoming Marine
oil painting on canvas, 1945
By Norman Rockwell (1894-1978)
 click image to enlarge
neglected practitioners of "political" art that transcended mere propaganda. Sometimes a truthful portrait says it all, as with Goya or Velasquez. Contemporary art historians have made a fairly compelling case that a lot of those lyrical river paintings of the Impressionists have a polemical subtext. And what about our friend Norman Rockwell? No one is more deftly political than he. All politics need not be in the key of rage, though if the artist sets to work in that frame of mind, it bodes ill for the work he does.


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Response to 'Geopolitical art' by Richard Nelson :: Value in timelessness

by Richard Nelson, Maui, Hawaii, USA

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One possible way of measuring the value of any art or art form is its timelessness.
Guernicaoil painting on canvas, 1937<br>By Pablo Picasso (1881-1973)
Guernica
oil painting on canvas, 1937
By Pablo Picasso (1881-1973)
 click image to enlarge
Picasso's Guernica, possibly the most important painting of the twentieth century, addresses the universal theme of war without specific reference to particulars. We see no dive-bombers, explosions, Nazi symbols or Spanish architecture, the particulars upon which lesser artists dwell. His painting is valid for people of all nations, all times, all political preferences and religions.


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Response to 'Geopolitical art' by Mark Davis :: Positive energy in art

by Mark Davis, Boise, ID, USA

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Everything we paint is a statement about ourselves. If politics is your bag then that may be what you should paint. The landscapes I paint reflect the beautiful places I have been. Sharing them is my message to others that says to keep their energy focused on the positive aspects of our world, which can be difficult with all the horror going on around us. If you believe as I do that positive energy begets positive energy and negative energy begets negative, then I choose to portray positive images.


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Response to 'Geopolitical art' by Gabriella Morrison :: Visual metaphor in art

by Gabriella Morrison, Maple Ridge, BC, Canada

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There are less overt and more subtle ways some painters make political statements in their
Liz - Pungent Truth by Gabriella Morrison, oil painting on canvas
Liz - Pungent Truth
oil painting on canvas
 click image to enlarge
art, and one of these is the use of visual metaphor. And really there is no reason why people cannot live with artwork like this. It is merely a matter of surrounding oneself with objects that carry meaning vital to one's own philosophy. I would rather surround myself with objects that cause conversations to come alive with passionate partisanship than with objects which provide a bland backdrop of meaningless, tasteful decoration.


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Response to 'Geopolitical art' by Norman Ridenour :: The art must be first

by Norman Ridenour, Prague, Czech Republic

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I am rereading Tom Robbins' Skinny Legs and All. There is a wonderful line about political art in
Peace by Norman Ridenour, oak and plum sculpture
Peace
oak and plum sculpture
 click image to enlarge
the context of Goya – "First be a magnificent artist and then you can do whatever, but the art must be first." I too have recently done political art and have found that it's true – Nice comfortable middle class folk do not want to confront a challenge to their nice comfortable middle class life. Then we go to Mark Twain's quote. "My job is to comfort the afflicted and afflict the comfortable."


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Response to 'Geopolitical art' by Alex Nodopaka :: Ignorance in humanities

by Alex Nodopaka, Lake Forest, CA, USA

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America is a country whose majority of citizenry refuses to hang on their walls or display
Fear by Alex Nodopaka, photographic artwork
Fear
photographic artwork
 click image to enlarge
on their coffee tables anything that would make or force them to think beyond Shop Till We Drop – bent on not disturbing our inner peace and wishful thinking fantasies that the world is perfect. That's why abstract imagery, which says nothing offensive, is so prevalent. Of course I do not speak of those that decorate with bunnies and rabbits and fluff art. I have been in numerous multi-million dollar homes with art barely suitable to wallpaper a garage. It simply shows a vast ignorance and lack of education in the humanities. Our educational system is to blame because, fundamentally, it is a private affair and not the government responsibility that it should be.


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Response to 'Geopolitical art' by Jeffrey Hessing :: Geopolitical work adds depth

by Jeffrey Hessing, Niece, France

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In the Sixties the artists, more specifically the photographers and musicians, were
NATO in Niece by Jeffrey Hessing, oil painting on canvas
NATO in Niece
oil painting on canvas
 click image to enlarge
instrumental in stopping the Vietnam War. Presently the global situation is as bad or worse. American politics continue to shock and shame me. After 35 years of painting only uplifting images I felt it necessary to react, to speak out, with the best means I have, paint. This is not the moment to write love songs and paint for people's walls unless you see yourself as merely a decorator. I know Mirandi continued to paint his bottles throughout World War II and I have not abandoned landscape painting. I found I can do both. They are not mutually exclusive, just different facets of myself expressed through my work. The geopolitical pieces add depth and scope to my overall body of work. Many people feel it is my best and most important work and though there are certainly fewer people who would buy it, the few who have considered it are willing to pay ten times more than for a landscape. Finally, if you are an artist you must paint what is in your heart without regard to the public.


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Response to 'Geopolitical art' by Brian L. Jones :: Marketing of fear

by Brian L. Jones, Cortaro, AZ, USA

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Avoiding political influence in our thinking as artists is nearly impossible in this
Sonoran Vision by Brian L. Jones, oil painting
Sonoran Vision
oil painting
 click image to enlarge
plugged-in media-stimulated world. The powers that control that industry seem intent on keeping the synapse of the populace crackling with emotion spasms. The emotion of choice is fear. Political and media producers utilize the marketing of fear more than any other to stimulate support for this or that program.

In past decades, paintings were the media of their day. Historically, paintings like The Raft of the Medusa brought the emotional truth of an event to the public's conscience because no other media could do it so profoundly. Stravinsky's music started riots for much the same reason. These works posited the value of every human life for its unique contribution to society and mourned the loss of value for the individuality that makes human life rich. Since the camera, photojournalists have taken this task and the artist's responsibility to communicate has been greatly lessened.


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Response to 'Geopolitical art' by Luz Maria Perez :: Someone has to paint it

by Luz Maria Perez, Los Angeles, CA, USA

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Politically-themed art does sell - you just have to find the right buyers. Without having
American Me by Luz Maria Perez, oil painting
American Me
oil painting
 click image to enlarge
seen Ryan's work, I'm going to say that perhaps he is giving it the wrong title. What about all the paintings of the Civil War? I wouldn't mind owning a few pieces to hang in my home, even if they do show bloody war fields. And what about Jose Clemente Orozco and the Mexican Revolution? What about all the early work of artists who painted the Indians/Cavalry killing and fighting each other?

Someone has to paint the revolutions. Someone has to paint the war in Iraq. Someone has to paint about AIDS. Some of these works are so powerful that you are moved to tears. It brings to mind a very poignant painting done by Dean Mitchell as his grandmother lay dying in the hospital - I believe it just sold in the hundreds of thousands - and he did this not to sell, but because she really meant something to him. One of my favorite artists here in California, Elin Pendleton, has just completed 2 paintings of her mother as she rests comfortably. They are not for sale but both speak volumes to me as both have the universal theme that all our parents have gone through. Personally, I have one which I would never sell because it is of my son's experience and my personal reactions to his death.


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Response to 'Geopolitical art' by Nina Meledandri :: Message hinders personal vision

by Nina Meledandri, New York, NY, USA

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If one's primary goal is to create an image that is true to a message, more often than not
Random Thought #911 by Nina Meledandri, oil painting
Random Thought #911
oil painting
 click image to enlarge
one must sacrifice the small passages and subtle shifts a painting must go through to achieve visual transcendence. This is why so little commercial art crosses the boundary into the fine art arena: its ultimate goal is to satisfy concerns that lie outside the artist's personal vision. Passion and love, when communicated visually, are what make some work stand out from the crowd. I say paint those paintings anyway, if this energy is a fruitful source of inspiration, push it to the edge and when you get to the essence of it there will be someone waiting to hang it in their dining room.


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Response to 'Geopolitical art' by Helen Webber :: Politics can offer hope

by Helen Webber, Berwyb, PA, USA

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For 30+ years I have been making my living and supporting my family through my art, working
We Shall Soar by Helen Webber, fabric collage tapestry
We Shall Soar
fabric collage tapestry
 click image to enlarge
with interior designers and architects… the main medium being fabric collage tapestry. They have been mainly decorative with some hint of social content through the occasional use of poetic words combined with an expressionistic figurative style.

But in my heart I have longed to use my art to reach people on another level and have been thinking of ways to use my work to express directly my feelings on some vital issues, like peace and the environment. My thought is that political expressions can be positive, and uplifting, and may have an appeal in offering hope as opposed to the prevailing pessimistic despair.


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Response to 'Geopolitical art' by Dalah Faytrouni :: Focus on the future

by Dalah Faytrouni, San Fernando Valley, CA, USA

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I have been lately very involved in documenting the history of my beloved country Lebanon
Dalah Faytrouni<br><i>God Loves Beauty</i> exhibit
Dalah Faytrouni
God Loves Beauty exhibit
 click image to enlarge
through the war the year I was born in 1975 until lately the ups and downs and when I do paint these paintings I know they may not be important to some but as an artist it does fulfill my need to express and mark my world in an important issue and we are lucky as artists to express any subject, and for me when I do my series I learn to let go of the painful history and focus on the future.


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Response to 'Geopolitical art' by Leslie Hoops-Wallace :: Political paintings controversy

by Leslie Hoops-Wallace, Bonaire, GA, USA

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I have done a few political paintings. It started with 9/11 – that painting haunted me until
American Chaos by Leslie Hoops-Wallace, acrylic painting on canvas
American Chaos
acrylic painting on canvas
 click image to enlarge
I got it done. Then every time something big would happen, everyone would ask, "Are you going to paint that?" I am normally a wildlife and pet portrait artist, but sometimes life gets in the way. My political American Chaos painting sold quite a few prints, and still does come every September, when I bring it back out again. It used to get hung around Warner Robins, from City Hall to the Base, and Aviation Museum. Last year someone complained about it hanging at city hall, so they took it down. I have had several people say they did not like it because Bin Laden was in it. But that was the first time someone complained, saying it was against America, which it is not!


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Response to 'Geopolitical art' by Dusanka Badovinac :: Hidden political messages

by Dusanka Badovinac, the Netherlands

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I just had to make a comment on this one as being myself a victim of political
Park by Dusanka Badovinac, oil painting on canvas
Park
oil painting on canvas
 click image to enlarge
circumstances. I paint like crazy because of all that and only painting helps me live the normal life. In the same time I think that artist must have his way of criticizing political situations but on artistic emotional way. I don't think that you should expect somebody buying it until you become Picasso...

I taught myself to hide that political message making it all very personal. For example being a Serbian woman in this time when the Serbians are demonized as rapists and killers I like to make my self-portrait without head but with some national symbols not very recognizable to others. I am enjoying in fact that people see something very much different than that. They have their story, but I know about that story of mine. What is even better, I like to make a very happy peaceful looking painting of landscape in Toscana… (grass) but in my movement while painting, action with knife and my nails I put all the anger and helplessness and sadness. And again people like that painting very much and they can not even dream about what was going on with me while painting.

Those are maybe strange ways of criticizing situation in the world… I also realise that I am being very small nobody in this big world and I have no chance to feel my self heard. So this is my way of learning to deal with it. If my message on painting become very personal and obvious and too much to bear I clean the paint away, and I feel better.


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Response to 'Geopolitical art' by Sheila Grabarsky :: Work evolves in private, ostrich place

by Sheila Grabarsky, Long Branch, NJ, USA

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As a highly sensitive person, I am more than despondent about the current world-state. I
Sunja Series, #6 by Sheila Grabarsky, acrylic painting on canvas
Sunja Series, #6
acrylic painting on canvas
 click image to enlarge
often ask myself how I can express my upset in my work. And then, I hit the easel and wind up with lovely delicious colors, intense ones, and often even serenity, joy, happiness. How can this be? Because my work has evolved from my life experience. I