Sleep deprivation
September 8, 2000
Dear Artist,
All kinds of sleep disorders are now being
identified by experts. "Nocturnal eating
syndrome," for example, is one that silently
and stealthily robs the fridge. As well as
insomnia there's apnea, narcolepsy, paralysis,
bruxism: the list goes on. Young people are today
the most vulnerable--in high school and
particularly in university. Sleep deprivation
eats into learning--just when alertness and
concentration are needed most--to say nothing of
harming the immune system and motor skills. Among
sleep deprived college students in a recent test,
creativity was the first faculty to go.
Great are the days when we arise fresh--when the
ideas flow and the tools move to make it happen.
These are the days we artists need and desire
perhaps more than anything else.
I lost a lot of sleep during a period of about
five years when I was sitting on arts-related
boards. Learning the ropes, general anxiety and
the desire to do my best took their toll. My work
suffered. When I resigned from everything my
sleep smoothed out and my work improved. There
was another factor--it's the dumbest little
thing--but it's given a good night's sleep ever
since. It's a Transcendental Meditation method and it works
like a wiz. Visualize a row of matches or any
other little stuff. I start with ten and work my
way down to one, then back up again. You actually
have to put the configurations of items up on the
screen of your mind, sort of click on them, then
move to the next in the series. It's what takes
place between the matches that's
important--harmless and inconsequential thoughts
bubble up from the subconscious, erasing the
cares of the day. It's so soporific that
sometimes I forget what it's all about and I'm
lost before I get to five. For visually oriented
people it's a well documented and proven
technique.
Best regards,
Robert
PS: "Young people are averaging 6.8 hours of
rest when they need 8 to function properly. Fifteen
percent are falling asleep in class. Fewer
students are doing original thinking." (U.S.
National Sleep Foundation)
Esoterica: "Nocturnal Painting
Syndrome" is not yet recognized as a
full-blown disorder. The victim shilly-shallys
all day, sleeps poorly, practically sleepwalks to
the work area in the middle of the night, and
fitfully returns to bed when the rest of the
house is arising. Another variant begins work
only in the evening and simply doesn't quit.
The following are
selected correspondence relating to the above
letter. If you find value in any of rgenn@saraphina.com
Nocturnal editions
I am a painter and I experience a different type
of nocturnal painting. I live an effective
daytime existence, am a natural morning person
and usually wake up comfortably between 6 and 7
a.m. - 7 a.m. is "sleeping in". On a
nocturnal painting outing, I sleep soundly until
around 2 or 3 a.m., suddenly wake completely up and
realize I will not get back to sleep easily, so I
get up and start painting. If I feel tired later,
it is usually at 4:30 a.m. and I go back to bed
until 6. Sometimes, however, I am still wide
awake and continue painting. At 6 a.m. I begin my
normal day. I am not tired during the day, but
will usually go to bed the next night at my usual
time and sleep soundly straight through.
A lot of the success I
experience with nocturnal painting I attribute to
my attitude about the experience. I assume that
if I needed sleep I would be able to sleep, so if
I get up and paint, I am not robbing myself of
sleep. Therefore I experience no damage. This
happens about once or twice each month, as the
moon waxes to full. Extra light in the bedroom
wakes me up, I think, since I am a morning
person.
Kim Brosemer
Write it out
Thanks for the valuable tip on meditation! I've
been unsuccessful, because I thought I had to
empty my mind. It seems one must focus on
something to still the chatter! I'm going to try
your method. We all know that marvelous moments
of creativity creep in when we least expect them,
which makes it crucial to be able to free the
mind of detritus. When I read your
"Esoterica" on Nocturnal Painting
Syndrome, I found myself! I write, instead of
paint, but have done this very thing many times.
I didn't know it was a syndrome!
Carole MacRury, Pt. Roberts, Washington, USA
Nocturnal dining
I must admit that I didn't know that what I do is
actually a sleep disorder, and something
that many others have too. It seems that I
have suffered from "Nocturnal eating
syndrome," for a few years now, and it's
really starting to get to me. I feel tired
all day long 'cause I do not get much sleep at
all...
Your letter came to me on time, and tonight I
am gonna try your sleep suggestion and hopefully
get myself a good night's sleep.
Jim Nasium, S.
Philadelphia, PA, USA
Night smiles
When I have "Nocturnal Painting
Syndrome," I read your letters and they
bring me back, perhaps inspire me, but definitely
bring a smile on my face.
Betty, Mount Gilead,
Ohio, USA
No regrets
I was serving on a board at a holistic
educational center, and little by little I began
to take on several committees and
responsibilities. This, in conjunction with
trying to earn a living by my pen, left no time
to paint or draw. Well, lately, I've been
literally itching to put brush to canvas, so,
yesterday I resigned from every committee. It was
very difficult because I got used to the stroking
I got from doing sooooo much, but I did it.
It's a useful practice to stop every once in
awhile and take stock of one's life...to note the
roadblocks, and the caution signs along the
way...and then to make changes. Like the Zen
masters, I know that life is short. I don't want
to ever regret not having done what pleases me or
makes me more alive.
Carol Costa
Sleep's the
problem
My creative energy gets drained from lack of
sleep, busy lifestyle and my job as a graphic
designer leaves me "disenchanted" at
times to say the least. (I'm not a corporate gal
at all and the world of advertising is so phony
and dishonest I wonder if I'm doing myself more
harm than good on a subconcious/spiritual level.)
Sleep has always been a problem and when I do get
sleep I'm absolutely thrilled.
Tracy Call
Art's the cause
For myself, currently and throughout college, art
was and is the main reason for sleep deprivation.
I get on a roll with a piece and don't stop. I
usually work in cycles - art binges and artless
slack. Spending a weekend, a few nights, or an
entire week working into the early morn until a
piece is finished does not decrease my "flow
of artistic juices," in fact it more often
than not increases them. Of course this is
followed by a stagnant period of artistic slack,
where nothing is new and interesting... but
this allows me time to catch up on the normal
life duties that I so often ignore during my art
binges. By the time I'm caught up with normal
life, and bored with the mundaneness of it, I'm
also at the point where I'm enfuriated enough
with the mainstream society and/or politics to
really punch out some excellent work. Thus, this
cycle allows me to experience life as a
"regular Joe," and then express my
views artistically in short bouts of artistic
umph! As a political artist this is neccessary to
make my art real, something I live rather than
just see. This cycle also weeds out the
possibility of bad art because I only work when I
am deeply inspired. You might say this cycle is a
dangerous one, detrimental to my health, and I
could easily break it by working in the studio a
little bit every day, but I rather like it. I'm
in tune with my body enough to understand what is
going on and how to remedy it, and by this time
my body has grown accustomed to my work habits.
Valeri Rose, Florida, USA
Short naps and radio
Being well-rested is certainly key because when I
go into the studio it must be after the decks
have been cleared of routine chores, I'm fed and
ready for the long haul. Ideally I lose track of
time altogether. Wish I could just get rid of the
clock, but need to know when Fresh Air or
All Things Considered comes on NPR -
prime working time. Listening seems to move me a
step or two back from the painting, so I'm a bit
less self-conscious about the work and can tap
into that subconscious resource. I stretch out on
the floor for short naps periodically, and have
learned that many artists do. Has it to do with
exhaustion from constant decision-making or
physical labor of larger canvases? Or is it from
tapping the creative center where dreams are made
and paintings come from?
The biggest hurdle is
defining studio time, wherever it may fall within
a 24 hour period, carving it out of full days and
honoring it on a daily basis. This is one element
of Process I've identified that's absolutely
essential for the work to be done.
Cassandra James, Texas, USA
Brahman Consciousness
Your matchstick method of getting to sleep is
nothing I have ever heard of in relation to
Transcendental Meditation, which I have done now
for over 30 years. However, I am well acquainted
with the value of the gap between thoughts as
therin lies Brahman Consciousness and with it,
life's magic. Maybe the secret of falling asleep
lies in the gap between matchsticks. I'll try it.
Joan Gordon, Kamloops, BC, Canada
(RG note) The TM method I originally learned was
to lightly concentrate on my mantra and try to
get it to evoke a feeling of nothingness--this
worked for me but only partially. Strong
anxieties did not seem to go away and kept me
often awake whether I was trying to meditate in
the afternoon or get to sleep at night. My
assistant at that time, Tara, a dedicated
meditator, gave me a book that claimed a system
useful to people who visualize things naturally.
The book has long since disappeared to someone
else's shelf but the method continues to work for
me. I had always found that I could fantasize
myself to sleepand with this system it sort
of makes it happen naturally.
Student hours
At BFA my friend Lisa and I used to sleep in,
watch daytime TV, generally goof off and bake
cookies. At 9 o'clock we'd wander down to studio
in the pitch black, four feet of snow, sit around
until our creative juices got going and then work
steadily, not talking, not resting, not eating
until 5 a.m. or so. Lisa's paintings were always
spectacular with this method. Mine were so-so or
the same as I could produce on a nine to five
basis. Incidentally, the marking would commence
at 9 a.m., just as we were digesting our cheerios
and crawling back into bed.
Mary Gideon, Toronto, ON, Canada
Necessary evil
In this world of ours today you must lose sleep
or you just aren't working hard enough. Also, you
need a college education which, if you take your
college time seriously...You will lose sleep. And
it's usually going something crazy like English
or Algebra (neither of which will make you a
better artist). However, if you opt for the other
route (which I have), then you better be a sleepy
slob, or nobody is going to believe that you
really work hard.
Working at night offers
a whole world of opportuniy for an artist. There
are no tele-marketers calling, most everyone is
asleep - so they traditionally don't bother you,
and the body slows for sleep-mode. As your body
slows for sleep, there are beneficial factors.
Such as more fluid and smoother movements, an
increased sense of time loss, and a greater
patience span (due to the fact that your brain is
half asleep). Whereas, daytime painting offers a
lot of disturbances from other household members,
people calling on the telephone, and from time to
time a friend knocking at your door wanting to
pass time and drink coffee. As an artist trying
to make my "big splash" in the gallery
world, I am constantly running up against the
"college educated" gallery owners who want
college educated artists with a vast knowledge of
B.S. I still haven't figured out how this makes a
better painter. I am not knocking college. I am
only stating that the world looks on those who
don't partake of it as a lesser person (and I'm
finding no difference with the art). Sleep
deprivation seems to go hand in hand with the
"American dream".
Billy Krumenacker
Wrong kind of fire
We here in western Montana have been so
preoccupied with the forest fire situation that,
for many of us has cost many a night's sleep.
It's now almost a habit to toss and turn, still
thinking of what's in the evacuation kit, and
whether the fire season is really over (it isn't,
most likely), and on and on. Sure has raised Cain
with my creativity.
Alan Taylor
Unpleasant awakening
I used to stay up late painting or drawing
et cetera... until May 19th 1993 when a sleepless
night caused me to fall asleep at the wheel. I
woke up a quadraplegic. Now I'm working at
recovering as much physical mobility as possible.
Meditation helps me to continue in a state of
optimism.
L Vi Vona, Long Island,
NY, USA
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If you would like to see selected correspondence
relating to the previous letter
"Sorting out" please click here http://www.painterskeys.com/clickbacks/sorting.htm
You may be interested to
know that artists from 70 countries have visited
these sites since March 30, 2000. That includes
Jack W Brady of Eastbourne, England, who would
have replied sooner only he was sleeping. And
Kelly Borsheim of Texas who wrote: "I just
awoke from a nap when I decided to check my e-mail before getting back to
sculpture and was very happy to find out that
sleep deprivation hinders creativity! Thanks for
the guilt-free permission to nap as needed."
And by the way, it's only the weather
that's slowing down Bill Turkington's
production in Prague, and Joseph Tany of
Barcelona promises to write something "of
freshness and vitality" if they only let him
sleep first.
Question: Would you like
us to include more of your letters, or is this
enough already?
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